Download PDF There Was an Old Lady Who Swallowed a Shell!, by Lucille Colandro

Download PDF There Was an Old Lady Who Swallowed a Shell!, by Lucille Colandro

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There Was an Old Lady Who Swallowed a Shell!, by Lucille Colandro

Download PDF There Was an Old Lady Who Swallowed a Shell!, by Lucille Colandro

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About the Author

Lucille Colandro has written many books for children, including the bestselling There Was an Old Lady series illustrated by Jared Lee.Jared Lee has illustrated more than one hundred books for young readers. He has received awards from the Society of Illustrators, the Martha Kinney Cooper Ohioana Library Association, the National Cartoonists Society, and others. He lives in Ohio with his wife and a menagerie of dogs, cats, ponies, ducks, and a few unknown creatures.

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Product details

Age Range: 4 - 8 years

Grade Level: Preschool - 3

Lexile Measure: AD390L (What's this?)

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Paperback: 32 pages

Publisher: Cartwheel Books (April 1, 2008)

Language: English

ISBN-10: 0439873800

ISBN-13: 978-0439931618

Product Dimensions:

8 x 0.1 x 10 inches

Shipping Weight: 3.2 ounces (View shipping rates and policies)

Average Customer Review:

4.8 out of 5 stars

61 customer reviews

Amazon Best Sellers Rank:

#13,018 in Books (See Top 100 in Books)

Lucille Colandro is another on of my favorite children-book authors.This story is an awesome summer-time, or anytime read.( I've been collection her series, too. Children just can't get enough of "The Old Lady - rhyme" ... and continually wonder what will she swallow next... )

What an adorable book! My son is 1 1/2 and loves "there was an old lady" books. They are very sing-songy and keep his attention well. He always laughs when we read "I don't know why she swallowed the shell". The book is repetitive making it easy for him to follow along and say words he knows in the book. I was able to purchase this book gently used from Amazon, which saved us a ton of money! This book is definitely a keeper!

I would "sing read" all of the "There Was an Old Lady..." stories in my general music classroom. It was a favorite amongst all of my grades...especially my lower elementary students. They always knew when a holiday or new season was approaching, I would pull one of these out. They would sing it with me!

My daughter is 4, and she loves this series. For nights when I think I'm going to be too tired for storybook time, the rhymes liven me up to enjoy the sweet time with her. I love the whole series and highly recommend!

My wife's kindergarten class loves this book!

I love this book! It’s a great book to read to kids.

our granddaughter loves all the old lady books

My daughter loved this book, actually we bought 4 of these series and she wants to reread them every night!!

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Ebook Free Gobekli Tepe: Genesis of the Gods: The Temple of the Watchers and the Discovery of Eden

Ebook Free Gobekli Tepe: Genesis of the Gods: The Temple of the Watchers and the Discovery of Eden

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Gobekli Tepe: Genesis of the Gods: The Temple of the Watchers and the Discovery of Eden

Ebook Free Gobekli Tepe: Genesis of the Gods: The Temple of the Watchers and the Discovery of Eden

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Audible Audiobook

Listening Length: 12 hours and 33 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Tantor Audio

Audible.com Release Date: February 6, 2018

Whispersync for Voice: Ready

Language: English, English

ASIN: B07956K6YK

Amazon Best Sellers Rank:

Gobekli Tepe is an enigma that cries out for an explanation. It is a massive temple complex with some clear astronomical references. Its construction and active usage spanned thousands of years. But its original builders were simple, nomadic hunter-gatherers who shouldn't have been building anything more than a stick lean-to for a night's sleep. No dry recounting of site plans and building locations can possibly do it justice. Gobekli Tepe demands that we ask Who? Why? and How? And by extension it makes us ask who we are and how we became the people and society we are today.Collins does an admirable job at addressing these questions. Understanding that such unprecedented structures could only have resulted from a sea-change in human thought and experience, he connects the astronomical aspects of the temple to the Younger Dryas Impact Event which had caused such a physical and psychological upheaval in human existence. Following the same logic that Settegast had outlined in "Plato Prehistorian", Collins explores how the climactic upheaval of the impact led to global collapse of social structures and widespread human migrations. In addition to the physical affect on humans, the cometary bombardment produced lasting psychological and spiritual changes.Collins traces the wanderings of one group of climactic refugees around the Black Sea and over the Caucasus Mountains to arrive in Asia minor. They leveraged the cultural memories of the people there to establish themselves as a priestly elite with the knowledge of how to appease the wrath of the sky gods. From this position they were able to organize the people to undertake the building of Gobekli Tepe.But this is not just an historical curiosity. The builders of Gobekli Tepe were our progenitors, both culturally and literally. The valleys and hillsides surrounding Gobekli Tepe are where the Neolithic Revolution started. Genetic analysis has traced the ancestors of our modern grains to this very spot.In his evaluation of Gobekli Tepe Collins answers a question that has stymied archaeologists and prehistorians for decades. Why farming? Although you can still find claims that humans took to farming in the face of uncertain food supplies caused by climactic upheaval, this has been proven wrong time and again. Farmers lead a precarious, back-breaking existence, putting in a huge amount of time and labor for a low quality, nutrient poor diet. Farmers face the recurrent threat of crop failure and famine, problems unknown to hunter-gatherers.But farming does produce something that is the hallmark of our modern life - a sedentary culture that supports a non-productive elite characterized by hereditary wealth. Why a free people would willing subjugate themselves to this miserable existence to support a powerful few has puzzled great minds for centuries. Collins has come upon the answer. The subjugation came first; the miserable existence followed.Given his remarkable insights, Collins can be forgiven for the weird bit of how a dream led him to the Garden of Eden. While the Garden of Eden legend certainly ties into this story, Collins could have come up with a less crazy sounding way to explore it.

Gobekli Tepe: Genesis of the Gods was a curious read. This would properly be classified as Fringe Archaeology or Controversial Knowledge.What the author, Andrew Collins, is investigating is the Gobekli Tepe archaeological site in South East Turkey, not far from the border of Syria. What makes the site so startling is not simply the fact that the architecture is monumental, it is that it dates back to the end of Younger Dryas period [a mini Ice Age which lasted for approximately 1,300 years and ended about 12,000 years ago]. What is disturbing about this is that the site throws the theory of the development of civilization [urban culture] into question. The essential theory is that agriculture enabled food surplus which enabled hunter-gatherers to settle down and develop urban culture and all the technologies that went with this. What Tepe suggests is that it wasn’t farming, because Tepe was active before farming emerged, but religion which began the rise of civilization.The site was used for religious and final/death rites ceremonies. Villages were settled nearby to allow the construction of the temple complex and this spurred on the development/domestication of wild grains which encouraged longer stays until the area was permanently settled.Mr. Collins’ book is fascinating and provocative but sometimes tends to push his argument too far. That being said, it is a fascinating read.Rating 4 out of 5 stars.Highly Recommended for those interested in speculative history/archaeology.

For anyone interested in the 'prehistoric' journey of mankind, this is a fascinating account. The descriptions and analysis of Gobekli Tepe are quite thorough and the conclusions drawn seem solid enough - while leave room for further interpretations based on future findings and/or analysis.The author then attempts to connect the dots between extremely ancient myths, place names, migrating groups of ancient peoples, arrowheads, geological events, possible catastrophic meteor or comet hits, etc. While these are intriguing - (and were this a doctoral dissertation, would certainly earn the author his PhD) - there are simply too many loosely connected ties to make this a convincing argument. If any one, two, or three of the links provided is inaccurate (and when dealing with spotty history of such antiquity, it is highly likely that many links are tenuous) the conclusions become null. Nevertheless, I applaud the incredible amount of careful work the author has put into finding as many pieces of the puzzle of 'who we are and where we came from' as possible. [And I especially appreciate that he has done so without making the leap of silly illogic that this journey involved extraterrestrial aliens. . . LOL!] Not every link needs to 'work' or be accurate for this to be a valuable contribution to the discussion, the fact that so much has been laid upon the table is intellectually exhilarating. It gives readers much to consider and could stimulate further thinking and postulation by those with other bits and pieces of information that might refute, correct, or expand upon what is presented here.The text would have been greatly enhanced with the inclusion of MANY more maps of migratory patterns and sites, and I hope in future printings the publishers might consider printing this as an illustrated volume.While there are quite a few illustrations, these are woefully inadequate. Unless the reader is already knowledgeable about the names of every tributary, mountain, plain and place name (ancient and current) of sites across Europe, Asia, and the Mideast, he or she can scarcly follow the author's train of thought without pausing every sentence or so to check a variety of atlases. It is for this reason that I've given four stars rather than 5.

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Free PDF Iconic Magazine Covers: The Inside Stories Told by the People Who Made Them

Free PDF Iconic Magazine Covers: The Inside Stories Told by the People Who Made Them

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Iconic Magazine Covers: The Inside Stories Told by the People Who Made Them

Free PDF Iconic Magazine Covers: The Inside Stories Told by the People Who Made Them

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Review

A feast for the eyes and the mind. (People Magazine 2018-10-12)They captured the culture, stirred controversy and even caught an icon in his last hours of life. (Dana Schuster New York Post 2018-10-06)There's something about a great magazine cover that captures the zeitgeist like nothing else can. Industry veteran Ian Birch's new book, Iconic Magazine Covers: The Inside Stories Told by the People Who Made Them, offers a first-hand history of the most impactful ones of all time. (Marie Claire Magazine 2018-11-01)The covers are taken from the 1950s to present day. There are almost 100 covers featured. Each page features a cover of note, offering a nostalgic tour of the world of covers. It makes the book as iconic as the covers it covers. (Shelf Life 2019-02-01)A 250-page compendium of the oral histories behind some of the most groundbreaking and provocative magazine covers of the past 60 years. Birch, an industry veteran and former editorial director of Hearst UK, spent two years conducting over 150 interviews with the art directors, photographers, and editors involved in making the famed covers of "legacy" publications like Esquire and TIME, as well as more obscure titles that made an impact on their cultures before they folded... Birch mourns the print industry as societies become increasingly centered on the internet. In this way, the book is an homage to print. (Aida Amoaka Hyperallergic 2018-12-31)Veteran magazine editor Birch brings together 100 groundbreaking magazine covers from the late 1950s to the present day with commentary from the people who created them. His selections include recognizable covers, such as the wounded Kent State student on the May 15, 1970, cover of Life, Annie Leibowitz's 1981 Rolling Stone cover photo of John Lennon and Yoko Ono, and the black-on-black image of the Twin Towers on the post-9/11 New Yorker. He also includes less familiar but equally revolutionary images, such as a 1958 One magazine cover that proclaims "I am glad I am homosexual," and a 2015 double cover--in German and Arabic--for an issue of Germany's ZEIT magazine about the experience of refugees. While the covers are designed to speak for themselves, the accompanying stories from editors, art directors, illustrators, and photographers provide fascinating glimpses into the decisions--and sometimes accidents--that resulted in what Marie Claire editor-in-chief Anne Fulenwider describes in the book's foreword as "a cultural moment distilled to its essence." Recommended for public and academic libraries, especially those supporting journalism and graphic-arts programs. (Lindsay Harmon Booklist 2019-01-18)Perusing newsstands often offers a more insightful look at social and political issues than any textbook. This oral history collects 65-plus memorable magazine covers. (Mahnaz Dar Library Journal 2018-11-01)This is the book true magazine geeks will appreciate most this holiday. Starting in the late 1950s, Birch gave us both a patchwork history of the medium's rare power in post-war America and delicious first-hand accounts of how great visual ideas were generated... This is a deft and deep compendium of provocations from titles large and small. (Steve Smith Folio Magazine 2018-12-04)This story behind the initial brief and creative process to reach the final choice of so many arresting covers forms a record of design and cultural trends over the decades. (Natahalie Atkinson The Globe and Mail, Globe Books 2018 Gift Guide 2018-12-04)With its thick glossy paper and color illustrations, Iconic Magazine Covers: The Inside Stories Told by the People Who Made Them is visually impressive. The content, featuring interviews with the photographers, writers, designers, and editors behind these iconic covers, doesn't disappoint either. The visuals and text combine to make Iconic Magazine Covers a powerful book and a reminder that much like good film and literature, a good magazine cover tells its own story and is impactful ten, 20 -- even 60 years later. (Catherine Ramsdell Pop Matters 2019-01-28)

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About the Author

Ian Birch began his magazine career in the mid-1970s before becoming a music journalist. Over his long career, he has worked on multiple magazine launches, including Melody Maker and Elle, and has worked variably as the editor or editorial director of magazines such as Us, TV Guide, Cosmopolitan, Good Housekeeping, Esquire and Harper's Bazaar. In 2012 he became editorial director at Hearst UK, where he oversaw Cosmopolitan and other publications. He is a recipient of The Mark Boxer Award from the British Society of Magazine Editors for outstanding services to the industry.

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Product details

Hardcover: 256 pages

Publisher: Firefly Books (October 1, 2018)

Language: English

ISBN-10: 0228101174

ISBN-13: 978-0228101178

Product Dimensions:

8 x 1 x 10 inches

Shipping Weight: 2.8 pounds (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

1 customer review

Amazon Best Sellers Rank:

#888,835 in Books (See Top 100 in Books)

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Iconic Magazine Covers: The Inside Stories Told by the People Who Made Them PDF

Iconic Magazine Covers: The Inside Stories Told by the People Who Made Them PDF

Iconic Magazine Covers: The Inside Stories Told by the People Who Made Them PDF

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