Get Free Ebook Lonely Planet The Bahamas (Travel Guide), by Emily Matchar Tom Masters

Get Free Ebook Lonely Planet The Bahamas (Travel Guide), by Emily Matchar Tom Masters

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Lonely Planet The Bahamas (Travel Guide), by Emily Matchar Tom Masters

Get Free Ebook Lonely Planet The Bahamas (Travel Guide), by Emily Matchar Tom Masters

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About the Author

Emily was raised in the Tarheel State and can still sometimes be found around Chapel Hill (though lately she's been bopping between New Mexico, Singapore and Sydney, Australia). Though she doesn't have an accent, her Southern nature manifests in an unlimited tolerance for pork and biscuits. She writes about travel, food and culture for a number of magazines, and has contributed to several other Lonely Planet guides, including the previous edition of USA and The Carolinas, Georgia & the South Trips.

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Product details

Series: Travel Guide

Paperback: 280 pages

Publisher: Lonely Planet; 4 edition (September 1, 2011)

Language: English

ISBN-10: 9781741047066

ISBN-13: 978-1741047066

ASIN: 1741047064

Product Dimensions:

5 x 0.6 x 7.8 inches

Shipping Weight: 10.6 ounces

Average Customer Review:

3.6 out of 5 stars

11 customer reviews

Amazon Best Sellers Rank:

#212,694 in Books (See Top 100 in Books)

I would say this fails the basic test of "helping backpackers have a good experience on a budget." Little helpful info on how to save money, such as staying at a Bahamian-run hotel off the beaten path (e.g., in the up-and-coming Golden Gates neighborhood), the current rate of a day-pass to Atlantis, or actually affordable places to eat. There was some useful information about historical sights, but Lonely Planet should really send another writer to visit for an update. Budget travel to the Bahamas is hard, but it's possible. Grabbing a meat patty for lunch, for example, is a great way to save. This guide actually *recommends* Graycliff, even though their food is pretty objectively poor value (you could get the same American meal in NYC for 30% less--just have some damn conch). I really got the impression that whomever visited here before really didn't like the Bahamas. It's no Thailand, but I spent under $1,000 including airfare and stayed for a week (in an unfinished hotel with friends), saw beautiful fish and amazing beaches, and ate the best Greek food I've had in my life. Lonely Planet needs to send someone who appreciates budget travel in the Bahamas for what it is.

I am a native of The Bahamas who bought the book to get an idea of how tourists would see the islands. That said, I am really enjoying being the owner of this book. The guide itself can use an update to reflect current prices and market. But other than that, it's interesting and I enjoy reading it! It also made me aware of quite a few things that I had not previously known.

Good book easy to read and helpful for planning your trip

Nice book. Informative and clear. Didn't have a ton of info on Andros, but that is probably because there is not much to write about! I got the info that I needed.

Information was interesting

Just what I needed with all details on the all the islands. Very helpful for my upcoming trip planning. Thank you!

I always choose Lonely planet as it had been accurate and helpful in my trips and to plan them beforehand.

This book tells a lot about all the islands. I'm going to island hop around the bahamas and feel this book is very informative

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Free PDF Sonny Liston - The Real Story Behind the Ali-Liston Fights

Free PDF Sonny Liston - The Real Story Behind the Ali-Liston Fights

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Sonny Liston - The Real Story Behind the Ali-Liston Fights

Free PDF Sonny Liston - The Real Story Behind the Ali-Liston Fights

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Product details

Paperback: 298 pages

Publisher: CreateSpace Independent Publishing Platform (August 1, 2012)

Language: English

ISBN-10: 147818518X

ISBN-13: 978-1478185185

Product Dimensions:

6 x 0.7 x 9 inches

Shipping Weight: 1.1 pounds (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

79 customer reviews

Amazon Best Sellers Rank:

#1,039,048 in Books (See Top 100 in Books)

Sonny Liston was the biggest and baddest Heavyweight fighter of them all. He had a jackhammer jab, a left hook that had KO written all over it, and he was generally impervious to opponent's punches. He dominated the heavyweights from 1956-1964 (up until Clay). Yet, because of his lurid prison past, the sportswriters disliked him and he never got his "due" as a truly great heavyweight champion. Well, author Paul Gallender tries to right this wrong with his excellent book on Liston. He argues that Liston was not the thug that most writers made him out to be. He makes a fair case of showing the "softer" side of Liston, but from my perspective, the evidence is pretty thin that Liston was anybody's boy scout.Whenever the name Liston comes up in boxing talk, fans want to know the answers to these three questions: 1. Did Liston quit due to a legit injury in the first Clay fight, or was he told to quit? 2. Why did Liston throw the second Clay/Ali fight? 3. How did Liston really die?While the author adequately and convincingly answers question #1, it is apparent that he sheds no definitive light on the next two questions. Yes, he has theories, but he offers no more than any other book on these last two issues. And for me, this is the reason I purchased the book - to learn more about the dive with Ali and his "mysterious" death. Gallender disappoints on these last two points. Overall, Gallender makes a fine case for considering Liston one of the greatest heavies ever, and posits that only Ali could have beaten him. After reading this book, I tend to agree.I devoured this book in one day. It is a very different look at Liston, although I believe his favorable presentation of Liston is quite biased. The author downplays Liston's assault on a St. Louis policeman and his conviction for armed robbery, as well as his numerous arrests. Did the police harass Liston? Yes indeed. Was Liston treated unfairly by the press - most likely. Was Sonny Liston a saint?Boxing fans will enjoy this unique look at the Big Bear, Charles "Sonny" Liston.kone

This book does a great tribute to Sonny Liston, who apparently is one of the most misunderstood celebrities of the Twentieth Century. That is probably the best thing the book accomplishes for the reader. The next best thing is that it prompts the reader to find even greater in-depth knowledge, which I will be doing when I finish this book. I am sorry to give a book that I believe to be such a great tribute to its subject three stars, but it is the most wretchedly proof-read book I have seen in a long time. Spelling errors abound, but what is even worse, when conveying information about public figures I found at least one misspelling of a person's name. If you are going to go out on a limb with sensitive information, the name in question absolutely must be correct. I don't care how "digital" your processes have become, great proof-reading apparently needs to be done by live, well-educated people.

Sonny Liston had one of the saddest lives imaginable.This book shows the many sides of Sonny Liston.I was a kid when Sonny was going to fight Floyd Patterson and everybody was talking about it.People treated Sonny horribly.A lot of writers wrote bad things about him then thought he was a moody when they talked to him.They called him a criminal,thug,animal,convict and mafia associate.At that time boxing was run by the mob and all fighters had dealings with them.Many things are addressed here like the Patterson fight,his childhood,Ali escapades and fights and his real age.Its too bad he did not have enough REAL FRIENDS.His true love was his kindness to children which makes him a good man.

Rarely has a public figure, a celebrity, lived a life that raised as many unanswered questions as Sonny Liston. The lineal heavyweight champion of the world was a man of seemingly endless contradictions. His life after losing the heavyweight title was lived under a shroud of murkiness. His death, to this day, is an unsolved mystery.Bob Mee, in his fine book about the intersection of Muhammad Ali and Liston in their two fights probes the psyche and life of Sonny Liston as completely up to that time as any writer ever has. He contrasts the personalities of the two athletes, and details the new breed of journalist of the time who had become lazy and self-centered, looking for glib athletes to feed them storylines, and tearing down those who would not cooperate. Liston was an easy target.Paul Gallender, in his first book, explores the myths of an athlete who never really had a fair shot in public opinion. A man who might have been a thug, but was a loyal friend. Who might have been one of the smartest heavyweight champions (aside from Gene Tunney), but was portrayed as an ignorant oaf. Who was a devoted husband, but a serial philanderer. Who had a lockdown training regimen, yet went soft and lazy prior to the Cassius Clay fight.Was he a decent, slightly flawed man just trying to make a living? Or was he a career criminal worthy of all the arrests and harassments from police departments in every city he lived in. He loved children, and was close to his clergy. Was that the true Liston, or was it the mob courier, as portrayed in James Ellmore "The Cold Six Thousand"?And what of Liston's life after the title? Does anyone really know how he supported himself? At some point, FBI files will de-classify, and maybe a truer picture can be painted. Bob Mee hints that Liston was running drugs outside of the mob's tacit approval, and this prompted his violent death.This book leaves many questions unanswered. While Gallender brings up, and brushes past many of Liston's rough edges, the drinking, the whoring, wild spending, the drug use, he does not thoroughly explore them, as much as his other inconsistent characteristics. While he extols Liston's virtues as a fighter, and there were many, he doesn't really break down his flaws in the ring.Still, this has to be considedered up to this time the definitive story of an American Sports enigma. Hats off to Mr. Gallender for his work.

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Free Ebook Lolita: The Book of the Film (Applause Books)

Free Ebook Lolita: The Book of the Film (Applause Books)

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Lolita: The Book of the Film (Applause Books)

Free Ebook Lolita: The Book of the Film (Applause Books)

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Product details

Series: Applause Books

Paperback: 256 pages

Publisher: Applause; First Edition edition (April 1, 2000)

Language: English

ISBN-10: 9781557833549

ISBN-13: 978-1557833549

ASIN: 1557833540

Product Dimensions:

6.1 x 0.6 x 8.9 inches

Shipping Weight: 14.9 ounces (View shipping rates and policies)

Average Customer Review:

3.9 out of 5 stars

6 customer reviews

Amazon Best Sellers Rank:

#1,513,687 in Books (See Top 100 in Books)

There's a very brief entry by Jeremy Irons, a slightly longer one by Lyne that deals with the travails of the film following its release after everyone's heroic effort to get it made, then Peter Schiff's longer introduction that covers much of the same ground in greater detail. The bulk of the book is made up of the shooting script -- the scenes as they were written and filmed -- before the actual editing and trimming, plus a lot of real estate devoted to screen shots from the film.I said Schiff's essay gives us greater detail but "greater" is such a relative term. It's clear that getting the production funded, filmed, and marketed was a nightmare, but I'd have liked to know more about some of the pre-production decisions regarding the movie as movie -- not as so much of the public (and professionals) saw it, a rabble-rousing endorsement of pedophilia. Schiff tells us that Irons was the obvious choice for Humbert. Fine, but why? And what made Dominique Swain stand out from the thousands of other young girls whose mothers would willingly have them debauched on screen? Well -- we don't find out.The rest of the book is in many ways more interesting than the introductory sections. It follows pretty closely the dialog and events we see in the finished product but the excisions are fascinating in themselves. What a country of blue noses we are. The scene in which HH has his first orgasm with Lolita on the Sunday living room couch is gone, for instance.Too much forbidden sex, although Lolita may be unaware of what happens. But the climactic killing of Quilty, with all its agony and its oceans of gore, is intact. It's okay to shoot a man in cold blood, to put innumerable holes through his naked body, and to show it realistically -- but don't touch a fourteen-year-old knee.The script presented here follows the novel far more closely than Kubrick's did. In some ways it's a weakness because a lot of what goes on in the novel isn't spelled out in the dialog, only in HH's descriptions of it, as Schiff points out. This requires that some original dialog be added, and the writers (who included at one point David Mamet) do a pretty good job of it. It's tough enough to squeeze a classic novel into the shape of a movie. Joseph Strick tried it with "Ulysses" and it was a dismal failure. Lyne's "Lolita" more closely approaches success.I was reminded of another attempt to shape a long and complex novel into a film: "The Caine Mutiny." In the book, Captain Queeg's paranoia gradually reveals itself in a series of related incidents of enough intricacy that they simply couldn't be depicted in the movie. So, early on, during the first wardroom meeting, Queeg's neurotic behavior is adumbrated in a single statement. He's describing his experiences in the Atlantic and adds: "The way those subs ganged up on us, I thought they had it in for me persnally." To me, that represents skillfull screen writing and the script of "Lolita" shows it in abundance.Yet, by sticking to the events of the novel as closely as it does, the script misses something. It misses the same thing that Strick's version of "Ulysses" did. "Lolita" is, at base, a serious and even tragic story, but not as HH tells it. A few earnest passages aside, it's hilarious. But the script can't capture most of the comic turns taken by Nabokov's prose. What little humor there is, is confined to a few brief moments -- the mix-ups over HH's name, for instance. At the Beardsley School for Girls the headmistress addresses him as "Professor Himmler." And at the Enchanted Hunters, he coldly informs the clerk that "the name is not Humbug but Herbert -- I mean Humbert."And, man, does this script need some of the novel's humor. Kubrick at least had a non-canonical Peter Sellers in five different roles. (Some were more successful than others.) And it had an African-American hotel porter wrestling with a fold-up cot that insisted on reverting to its more compact form.Lyne's movie has none of Sellers' outrageous hamminess and no slapstick. And the absence of that ludic element turns the script into a somewhat gloomy love story. The moody musical score helps keep it there. So does the photography which is too often dark, foggy, and rainy, whereas Nabokov's novel was full of sunshine, beaches, vast furrowed plains, and craggy mountains.Okay. At its base, it's a tragedy. We know that. But why remove the one element that makes it more than that? I guess, in a way, it can't be helped. HH was pretty snotty, and contemptuous of almost everyone he met, but that was all internally edited by him. Outwardly he was polite and a little distant in a proper aristocratic way. His demeanor was phony but deliberately so, and the irony of the contrast between his amused contempt and his interactional delicacy is gone.I suppose this is about as good as it can get. There is always so much more to a work of fiction than what we see on the screen, at least as far as a classic work like "Lolita" is concerned. Hitchcock's movie of "Psycho" was actually an improvement over Robert Bloch's unimaginative story.No comment on those who find the novel or either film version offensive because the story is an endorsement of pedophilia, or because it encourages statutory rape or something.

By "Lolita Saga" I mean not just Nabokov's fairy tale (as he says all great novels are) but the story of how the novel and the films of Lyne and Kubrick came to be. From Nabokov's novel onward, all attempts to tell the story of the doomed Humbert and the doomed Lolita (and the doomed Charlotte and the deservedly doomed Quilty) have faced headwinds from cowardly money-men and ignorant critics and censors who condemned with their eyes and ears as primly closed as their minds. Lyne's film fortunately survived those gales.It is also worthwhile to note how Lyne's film diverges from this screenplay. Some of the scenes cut from the movie appear as "Bonus Material" on the DVD. Others just disappeared. Others were changed for filming. But all are part of the overall story of the film, and the (somewhat) conflicting visions of it's contributors.I have a couple of nits to pick with Schiff, however. He states in the introduction that he shut himself off from earlier efforts: "My source material was the novel itself". Yet there are places where Schiff's screenplay follows Kubrick's film and/or Nabokov's screenplay but conflicts with the novel.For instance, Humbert's reason for coming to the US in the novel is that his deceased uncle's will promised him a sizeable monthly stipend if he would come to the US and pretend to take an interest in the business. Mark Twain (and Jimmy Buffett) would say Humbert was a "Remittance Man", a black sheep paid to go away and stop embarrassing the family. In Nabokov's screenplay and Kubrick's film Humbert is a writer and distinguished scholar who comes to the US to lecture at Beardsley College. Schiff's screenplay (and Lyne's film) follow the earlier film and screenplay, not the novel.More grievously, he says Dominique Swain "...wasn't quite beautiful". Now maybe I'm one of those "tortured artists" who know a nymphet when they see one and Schiff isn't. But there are 50-odd screenshots within Lyne's film in which Dominique Swain appears not only as beautiful but as heart-stoppingly so. Schiff's description might fit DS as she appeared in her later films, but to me part of the mystique of the Lyne film is that he cast Dominique Swain as Lolita while Swain was in her all-too-brief "nymphet stage", then she moved on like a Nabokov butterfly, fortunately leaving behind for us her magnificent portrayal of Lolita, recorded for the ages.As Humbert (or is it Nabokov?) says in finality, "And this is the only immortality you and I may share, my Lolita".And so it is!

I love this version of Lolita, so when I saw there was a book that contained the screenplay, I was thrilled! It was so much fun reading through the script and seeing what was improvised by the actors and what scenes ended up being cut out of the film. The introductions by Jeremy Irons and Adrian Lyne were a little short, but it was great to read what they had to say about the film.I would recommend it to anyone who is interested in Lolita the book or film, or anyone who's just looking to read a great screenplay.

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Lolita: The Book of the Film (Applause Books) PDF

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