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Thursday, June 27, 2013

Free PDF The Devil in the White City: Murder, Magic, and Madness at the Fair That Changed America

Free PDF The Devil in the White City: Murder, Magic, and Madness at the Fair That Changed America

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The Devil in the White City: Murder, Magic, and Madness at the Fair That Changed America

The Devil in the White City: Murder, Magic, and Madness at the Fair That Changed America


The Devil in the White City: Murder, Magic, and Madness at the Fair That Changed America


Free PDF The Devil in the White City: Murder, Magic, and Madness at the Fair That Changed America

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The Devil in the White City: Murder, Magic, and Madness at the Fair That Changed America

Product details

#detail-bullets .content {

margin: 0.5em 0px 0em 25px !important;

}

Audible Audiobook

Listening Length: 14 hours and 58 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Random House Audio

Audible.com Release Date: December 29, 2002

Whispersync for Voice: Ready

Language: English, English

ASIN: B0000DE6QB

Amazon Best Sellers Rank:

I enjoyed reading this book strictly for the educational value of learning a little something about the period and the event. The scope of the projects and the manner in which they were accomplished was quite interesting. All in all it was about average.

Come for the serial killer, stay for the fair.I will be absolutely honest and admit that I purchased the book because I was interested in the weird story of H.H.Holmes, American con-man, psychopath and serial killer. In fact, I will add to my confession, and shame, by saying that my interest was sparked by watching the episode of Timeless - a series unlikely to be renewed - where our trio of intrepid time-travelers goes back to the 1893 Chicago Columbian Exposition and have a misadventure in the "murder castle." I've never read anything by Erik Larsen before, but I know that he has a good number of books on the history section shelves and I’ve seen this book in passing for years.I listened to this as an audiobook, and my initial reaction was that there was an awful lot about the 1893 World’s Fair, especially the architecture of the World’s Fair, than I was expecting or interested in. Frankly, my initial reaction was that all the detail about the planning of the Fair was getting in the way of the interesting bits about H.H. Holmes.However, about half-way through the book, I found my interest shifting as I was sucked into the world of the Fair and the strangeness of the world right on the cusp of becoming the world we know, with lights and Cracker Jacks and Ferris wheels, but still possessing the instincts and customs of a more genteel and trusting age. I found that people like Frederick Law Olmsted and Daniel Burnham were becoming my heroes.Larsen structures his book as alternating narratives. One narrative follows the twisted path of Holmes; the other follows the life of the fair. There is no doubt that the Holmes’ narrative starts out in the lead because of the natural human interest in evil, and Holmes was evil. Larsen describes Holmes as America’s first serial killer in an age when the language did not have the term “serial killer” to describe Holmes. Holmes was born Herman Webster Mudgett in 1861, studied medicine, married and abandoned his first wife, and, then, took the test for a pharmacy license under the name of H.H. Holmes and made his way to Chicago. In Chicago, he bought a pharmacy from a widow, who he probably conned, married a second wife, deposited the wife and his child in a suburb of Chicago, and then came up with the idea of transforming land he had purchased into a hotel in time for the upcoming Fair.Listening to the Holmes’ arc, two thoughts come to mind: first, he was psychopathic and, second, he didn’t seem to understand how ridiculous his ideas were. For example, after scamming a brother in law, his plan to avoid discovery was to push the brother in law off of a roof. Who today would think such a thing would not be immediately seen for what it was? Likewise, Holmes built a hotel with secret rooms and gas lines to those rooms so that he could gas patrons, kill them and rob them. Women were constantly disappearing from his hotel, leaving their things behind. When the widow he bought his first pharmacy from simply disappeared, Holmes explained that she was visiting California. He courted and wed multiple wives simultaneously. His method for making bodies disappear was to have the bodies rendered into skeletons and then he would sell the skeletons to medical colleges.Today, who could be so naive as to expect that any of this would not be discovered or noticed?And that is partly the point. The era was a moment of transition. In the small towns that most people had lived in prior to the 1890s, everyone was under everyone’s else’s supervision. In Chicago, however, the rules changed. People were anonymous and alone in a crowd. People were easy to lose in a world without phones or extensive police agencies. If someone went to California, it would take more than idle curiosity to locate them. It was a psychopath’s utopia.Also, the casualness of death becomes apparent in Larsen’s book. For example, Burnham’s partner plunges into the October night and dies of pneumonia within a week. Larsen also describes how the sister of one of Holmes’ victims suddenly took sick and died within a week. She was probably poisoned, but in that age it was not hard to believe that a healthy woman in her twenties could die of a sickness so quickly. I was working on a train accident fatality lawsuit during the time I listened to this book, so this passage had some significance to me:// Anonymous death came early and often. Each of the thousand trains that entered and left the city did so at grade level. You could step from a curb and be killed by the Chicago Limited. Every day on average two people were destroyed at the city’s rail crossings. Their injuries were grotesque. Pedestrians retrieved severed heads. There were other hazards. Streetcars fell from drawbridges. Horses bolted and dragged carriages into crowds. Fires took a dozen lives a day. In describing the fire dead, the term the newspapers most liked to use was “roasted.”//In Fresno County where I live, which is a mostly rural county with a large urban population, there are only two unprotected crossings – without signals – in the entire county. The three people killed in this one accident was probably higher than the annual average for the last fifty years. Violent death was simply more common in the past.On the other hand, Larsen presents the “White City” of the Fair as the world that was dawning. The Fair brought millions of visitors to a location with lights and cultural diversity and sanitation and police protection. The idea that the architects are the heroes of the book seems strange since architects rarely play the role of hero, but Larsen manages to invest tension throughout the story arc about the Fair. Thus, there is tension in whether the architects will get the Fair built in time, and then there is tension about whether the Fair will turn a profit in the face of the economic depression gripping the country. There is also the heroism of George Washington Gale Ferris and his eccentric idea of building a huge wheel that would carry “Pullman Car-sized” boxes for passengers, although the most heroic act of the book, I thought, was the willingness of Mrs. Ferris to ride the thing on its maiden voyage as a rain of extra bolts cascaded down from the structure.I came to know and develop a liking for Frederick Law Olmsted, who designed New York’s Central Park. Burnham is forgotten today but contributed to many American cities.My first term paper in history was one I wrote as a Junior in High School about Eugene V. Debbs and the Pullman Strike of 1894, so it was something of a home-coming for me to read about the events that were occurring just before that strike, and to think that Debs and Darrow probably visited the Fair, maybe they ran across Holmes and Burnham. It occurs to me now that the Pullman Strike of 1894 was in 1894 because the closing of the Fair in 1893 exacerbated the economic crisis. Larsen writes:// Ten thousand construction workers also left the fair’s employ and returned to a world without jobs, already crowded with unemployed men. Once the fair closed, many thousands more would join them on Chicago’s streets. The threat of violence was as palpable as the deepening cold of autumn. Mayor Harrison was sympathetic and did what he could. He hired thousands of men to clean streets and ordered police stations opened at night for men seeking a place to sleep. Chicago’s Commercial and Financial Chronicle reported, “Never before has there been such a sudden and striking cessation of industrial activity.” Pig iron production fell by half, and new rail construction shrank almost to nothing. Demand for railcars to carry visitors to the exposition had spared the Pullman Works, but by the end of the fair George Pullman too began cutting wages and workers. He did not, however, reduce the rents in his company town. The White City had drawn men and protected them; the Black City now welcomed them back, on the eve of winter, with filth, starvation, and violence.//Holmes’ story closes out with Holmes’ finally getting tripped up in an insurance swindle and an intrepid Pinkerton detective following the clues to prove that Holmes was a child-killer among his other sins. In that way, Holmes’ story arc concludes as a true crime story about a true crime story.Although I enjoyed and learned from this book, I would have to pick a nit with the “fictionalization” of some of the narrative. Larsen tells us that everything in his book is supported by documentary evidence, but he also acknowledges that he has made reasonable inferences about what happened at times. I think his inferences are reasonable, and I credit him for acknowledging what he has done, but I think that there are times when he offers his insights into what various people were thinking or feeling that he has gone too far and stepped outside of history proper into fiction. Obviously, this book is intended for the mass market and must keep reader interest. Also, we are a long way into non-fiction novels at this point, but there are moments when I as a history reader was woken up by Larsen describing what a character felt (when I would probably never have objected to the same information being couched as something the person “might have thought,” so if you interpolate those words, the book is in the genre of history.)In sum, don’t be confused; this is not a true crime story. It is a sociological history/novel about a particular time in American history. Your interest in this book will vary depending on whether you are buying it as “true crime” or as history.

I probably should have read the description a little more closely. I thought this book would cover the World's Fair and H.H. Holmes in equal amounts. It does not. I will admit, the author thoroughly researched both topics, but it was clear to me his focus was on the architecture of the World's Fair. He is very detailed, but sometime it was almost too much detail. I am admittedly more interested in H.H. Holmes than architecture so that has something to do with my review.If you are reading this because you want to hear about H.H. Holmes, you may want to read a different book. However, if you are open to learning about the World's Fair, architecture, or Chicago history, this is worth the read.

I thought that as far as it goes this was a good book on the Chicago Worlds Fair and an ok book on H.H. Holmes. I had not idea that so much effort had gone into the worlds fair and I thought that the author did an excellent job capturing the spirit and excitement of the times as well as the hard work and reputations put on the line to make it success. I would say that for anyone interested in the history of Chicago or the fair this is a must read book. If, however, you are wanting to learn much on the crimes committed H.H. Holmes then you will probable be disappointed. I realize that much of this is due to the fact that there is not a plethora of source material out there on Holmes and the author does make a strong case that the attention given to the Fair and the amount of out of towners and other people coming into town made it easier for him to commit his crimes by giving him a steady source of victims but it seems like the whole Holmes angle was a kinda tacked on to give the book just a little more sensationalism in order to sell copies. It would be as if I wrote a book about the post industrial decline of the Milwaukee metro area in the early 90's and threw in some accounts of the Jeffrey Dhalmer murders to increase sales. What make it especially disappointing about this book is that it was totally unnecessary. The main story about the Fair and all of the scandal and intrigue that went into it was interesting enough without what felt like a kinda tacked on murder story. This book either need to be a little shorter (without the murder story) or a little longer ( with more of the murder story) by trying to split the difference it distracted from one story and did not do justice to the other.

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Friday, June 21, 2013

Free PDF Paperclay: Art and Practice (The New Ceramics), by Rosette Gault

Free PDF Paperclay: Art and Practice (The New Ceramics), by Rosette Gault

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Paperclay: Art and Practice (The New Ceramics), by Rosette Gault

Paperclay: Art and Practice (The New Ceramics), by Rosette Gault


Paperclay: Art and Practice (The New Ceramics), by Rosette Gault


Free PDF Paperclay: Art and Practice (The New Ceramics), by Rosette Gault

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Paperclay: Art and Practice (The New Ceramics), by Rosette Gault

About the Author

Seattle-based artist Rosette Gault has been teaching and making ceramics for more than forty years.

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Product details

Series: The New Ceramics

Paperback: 160 pages

Publisher: University of Pennsylvania Press (January 24, 2013)

Language: English

ISBN-10: 0812222415

ISBN-13: 978-0812222418

Product Dimensions:

7.2 x 0.5 x 10 inches

Shipping Weight: 1.1 pounds (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

46 customer reviews

Amazon Best Sellers Rank:

#183,174 in Books (See Top 100 in Books)

I initially avoided this book based on poor reviews and bought Gault's older paper clay volumes instead, which was a huge mistake. This book contains everything in the older Studio Companion series and much, much, more. And unlike Gault's previous books, this one is organized in a linear and cohesive format. It has been written for clarity and easy comprehension with good grammar and proofreading. It's also beautifully and thoughtfully illustrated. The handy index in the back let's you jump directly to detailed information on any particular topic when you're using it for a studio reference.There is no art-speak in this book. And despite the inclusion of some beautiful photos, this book is NOT just "eye candy" for inspiration - it is utterly practical. The references to "linear" and "non-linear" are direct references to the practical work-flows needed when using traditional clay bodies as opposed to paper-clays. LINEAR refers to the required progression from wet to leather hard to bone dry to fired when using traditional clays. Works must be dried slowly and evenly, parts must be assembled while all are at the leather hard stage, and once the work is bone dry there's no going back to correct or change anything. NON-LINEAR refers to the freedom paper clay bodies give to move back and forth between the wet, leather hard and dry stages. Paper fiber in the clay allows you to let work dry quickly or unevenly, to attach new wet pieces to others that are already bone dry, and to re-wet bone dry pieces as often as you like in order to modify or repair them until you're ready to fire the work to permanence.Those who complained that this book is low on information may have been looking for a step-by-step project book. True, this book is not paper-clay-for dummies, where you receive instructions on how to successfully create a specific masterpiece without knowing anything about the material you're working with. It does include recipes and instructions to make your own paper clay bodies, but it also includes the logic behind the recipes so you can modify the given ones for your own needs, or even make up your own recipe to cope with the requirements of a specific project. As to HOW to use the material, there are no specific projects included. Instead Paper Clay Art and Practice is absolutely loaded with the logic and science of why and how you can use a Paper Clay body to succeed in hundreds of situations where a traditional non-paper clay body would fail. Each method that's unique to paper clay is explained in text, and illustrated with in-process photos and examples finished works where that method was used. The WHY comes in if you experience failures in your work - then you will be able to diagnose the trouble and make corrections on your own.In short, Paper Clay Art and Practice won't teach you how to make somebody else's work in 10 steps. Instead it will empower you to make your own ceramic works that were never before possible.

There is some good info in this book, and it's clear that the author knows a lot about working with paperclay but the nuggets are painfully hard to extract.One problem is that the unfocused writing meanders wildly and is plagued by sonorous content-free artspeak. Another is that the book as a whole seems unorganized and repetitive. Many glossy photos.

Rosette has created another wonderful text with fresh ideas and techniques that compliment her previous works about paper clay. The techniques are presented clearly with accompanied illustrations. The diversity of images of both new and established artist's works illustrate the possibilities of what can be achieved with both fired and unfired paper clay. This is a great resource for educators and students and a great addition to your studio reference library.

I have been doing clay for 50 years and working with paperclay for 20 years. This is the best resource I have found for paperclay. I even learned some new things and was stimulated by the ideas in the book. Rosette describes alternate ways of working with paperclay, including several "non-linear" approaches. This expands the options for creating with clay. The book itself is a non-linear creation, with many inspiring photos and techniques, just enough technical information, and lots of tips on how to do things.

Advanced techniques are given. Great photos. I need more basic guidance, hence 3 stars. I aspire to reach the levels portrayed in this book.

With the sculptures i attempt to create - I do not feel like i could realize them any other way but through paper clay. This book is wonderful. I whole heartedly recommend this to anyone looking to work in paper clay. This book is a must have.

So great to see that this author given a do-over chance chose to completely rewrite her first book and provide us with this STELLAR version of the same topic. It's everything I'd wished for in the first version yet I'm so grateful that Gault took the time and effort to give us this absolutely fantastic book. Have recommended it to a number of ceramic artist friends who likewise all jumped on board and love it.

To be honest I haven,t read it in depth yet, but have skimmed through, and what I did read, was great. Alot of instruction on the basic uses and whatnot..Looking forward to reading it in depth! Photography of work is lovely~

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Thursday, June 20, 2013

PDF Ebook Running, by Ronnie O'Sullivan

PDF Ebook Running, by Ronnie O'Sullivan

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Running, by Ronnie O'Sullivan

Running, by Ronnie O'Sullivan


Running, by Ronnie O'Sullivan


PDF Ebook Running, by Ronnie O'Sullivan

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Running, by Ronnie O'Sullivan

Review

The running is literal as well as metaphorical...it's a heartbreaking story―THE METROWhen he starts talking about snooker and his rivals, he is fascinating. Yet it wasn't snooker that ended up saving from the booze and drugs - it was distance running.When he starts talking about snooker and his rivals, he is fascinating. Yet it wasn't snooker that ended up saving from the booze and drugs - it was distance running.―THE DAILY TELEGRAPHThe running is literal as well as metaphorical...it's a heartbreaking storyRunning is a chaotic race through O'Sullivan's life, but this does little to dethrone him as the people's champion - it simply adds further to his legend.―PRESS ASSOCIATIONAt snooker, O'Sullivan is easily the best in the world. At running, he is club class...His frank memoir, which reads like a transcript from the psychiatrist's coach, explains that running - and the running community - gave him a sense of acceptance and achievement.At snooker, O'Sullivan is easily the best in the world. At running, he is club class...His frank memoir, which reads like a transcript from the psychiatrist's coach, explains that running - and the running community - gave him a sense of acceptance and achievement.―THE SUNDAY TIMESRunning is a chaotic race through O'Sullivan's life, but this does little to dethrone him as the people's champion - it simply adds further to his legend.Like a lot of shy people, he can look arrogant and aloof when he is performing, while underneath there's turmoil.Like a lot of shy people, he can look arrogant and aloof when he is performing, while underneath there's turmoil.―DAILY MAIL

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About the Author

Since turning professional in 1992, O'Sullivan has clocked up an incredible number of awards and trophies, including the UK Championship, the China Open, the Regal Championships, the Benson and Hedges Masters and the British Open. In January 2000 O'Sullivan won the Nations Cup for England, boasting the best record of any player, 13 wins from 15 frames played.Follow him on Twitter @ronnieo147

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Product details

Paperback: 274 pages

Publisher: Orion (May 6, 2014)

Language: English

ISBN-10: 1409147398

ISBN-13: 978-1409147398

Product Dimensions:

5.1 x 0.9 x 7.9 inches

Shipping Weight: 10.6 ounces (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

20 customer reviews

Amazon Best Sellers Rank:

#789,137 in Books (See Top 100 in Books)

Interesting read for anyone following British Snooker. Ronnie O'Sullivan has been the bad boy of British Snooker for over 20 years. He has made more century breaks (100 points without a miss) in competition than any other player living or dead and holds the record for maximum breaks (perfect games of 147 points) in competition at 13. Ronnie is a complicated, intelligent and often troubled individual but yet comes across very likable. His second greatest love in life, other than his two adorable children, is running and the book is often more about his running addiction that snooker but snooker fans won't get a short shrift has he has plenty of detailed information about the inside story of professional snooker. I found the book a very enjoyable quick read, having been a snooker and Ronnie fan for several years. There is a wealth of high quality videos of Ronnie playing on YouTube including all his maximums, especially his fastest ever maximum of 5 minutes 20 seconds in 1997 when he was 21. A record that will likely never be matched or beaten. Ronnie doesn't leave anything out, the drugs, the temper tantrums, the depression are all here.

Great read. I am a huge fan of Ronnie O'Sullivan so it's no surprise I like this book, however it is worth reading even if you know nothing about Ronnie O'Sullivan. To read how one man can overcome many obstacles to become what some people call the most naturally gifted snooker player of all time is truly remarkable. Thanks for writing this book Mr. O'Sullivan.

I've just finished the reading and found very interesting to be inside the mind of such a champion. What I liked most is the candour with which Ronnie tells his story, the glorious moments as well as the bad ones... His style is unimitable, he writes as he talks. Once I started the book, it was hard for me to stop! Now, I better understand what he has gone through in his life, which reinforces my admiration for this snooker artist.

Honest, raw a true insiders view to Ronnie and the snooker circuit.

Sounds very honest and natural, like a long chat over a drink. I love how he discusses his uncertainties and psychological challenges. My Chimp sounds a lot like his, so getting to hear how he handles it is great.

Interesting, written in a little chaos, jumping from one subject to another, some repetition (this same fact said 2-3 times in different moment, chapters), but generally chapters have a close form. Good reading, last chapter, the best, all Ronnie Thoughts during final in 2013. I'm looking forward for similar Barry's reminiscence from the final.

Not a massive snooker fan but this was a good read. Lots of talk about his running obsession so I can imagine that May put off people who want to read more about snooker. Overall I enjoyed the book & would recommend it.

You have the chance to learn about best snooker player's up and down life and his passion about running. Outstanding!

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Saturday, June 1, 2013

Ebook Download Time Out Paris (Time Out Guides)

Ebook Download Time Out Paris (Time Out Guides)

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Time Out Paris (Time Out Guides)

Time Out Paris (Time Out Guides)


Time Out Paris (Time Out Guides)


Ebook Download Time Out Paris (Time Out Guides)

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Time Out Paris (Time Out Guides)

About the Author

Time Out Guides are written by local experts with a passionate connection to the very best of their cities.

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Product details

Series: Time Out Guides

Paperback: 416 pages

Publisher: Time Out; 23rd edition (October 13, 2015)

Language: English

ISBN-10: 1846703549

ISBN-13: 978-1846703546

Product Dimensions:

5 x 0.8 x 7.7 inches

Shipping Weight: 12.6 ounces (View shipping rates and policies)

Average Customer Review:

3.9 out of 5 stars

4 customer reviews

Amazon Best Sellers Rank:

#351,594 in Books (See Top 100 in Books)

In general, the Time Out guides have been the most useful for us, for almost any city I can think of. This one for Paris is a standout, and even though there doesn't seem to be an update on the 2015 edition that we recently used, it's a winner. T.O. doesn't neglect to include the iconic Parisian sites that all first-time visitors want to see, but it goes way beyond that and takes you to places that make you feel like an insider. It's also pretty strong on food and shopping--with the understanding that these two categories are the ones most subject to change from year to year.I like the organization of the book by Paris districts (arrondissements) and the reasonably detailed instructions on how to use the transport system.I hope that they do update this guide, though it looks like the Internet is killing off this kind of publication. Nevertheless, I go back to a first comment--we used the 2015 guide and found it still valid for almost everything except for current art exhibitions, which have to be checked locally anyway.If you think you'd like this guide, check out Olivier Magny"s books on Paris also ("Stuff Parisians Like").

This Time Out edition was not up to the snuff of its Berlin, LA and NYC siblings. Used during a recent trip to Paris in the off-season, many of the recommended eating, shopping and sightseeing destinations turned out to be well-trod Yank/Brit haunts. The bars rang with twangy hipster teenagers, the flagship stores weren't so unique from those found in any metro galleria mall and the landmarks didn't need any pointers. Paris is an accessible, self-explanatory city with centralized museums, shopping and lodging, a snappy metro and cab system and friendly (YES, I mean that) colorful locals. I'd hoped Time Out Paris would direct readers to those more unique experiences the Lonely Planet gang can't afford and the insider joints the Fodors crowd won't try.

Excellent! Good tips for travel in Paris. I used it in conjunction with other books while in Paris recently.

This is the guide to go by!

Time Out Paris (Time Out Guides) PDF
Time Out Paris (Time Out Guides) EPub
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Time Out Paris (Time Out Guides) iBooks
Time Out Paris (Time Out Guides) rtf
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Time Out Paris (Time Out Guides) Kindle

Time Out Paris (Time Out Guides) PDF

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Time Out Paris (Time Out Guides) PDF
Time Out Paris (Time Out Guides) PDF